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Then came Lost in La Mancha (2002), which documented Terry Gilliam’s failed attempt to make The Man Who Killed Don Quixote . It was not a triumph of art; it was a disaster of weather, insurance, and illness. Suddenly, audiences realized the entertainment industry was not a dream factory—it was a chaotic, expensive, and often tragic gamble.

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Everyone wanted a comeback. Only one wanted the truth. Then came Lost in La Mancha (2002), which