When he was twenty, Rizal got a job at a small post-production house that did subtitling and dubbing for international films. He learned quickly: sync points, ADR, the way human voices could be coaxed into living inside foreign frames. He loved action films — not for the spectacle but for the sound design. Punches were not just blows but layered textures: the slap of flesh, the sucked-in breath, the paper-thin crinkle of clothes. In them, he could hear the anatomy of tension.
"The Raid: Redemption" is a 2011 Indonesian action film directed by Gareth Evans. The movie has gained a cult following worldwide for its intense and well-choreographed action sequences. One of the key elements that make this film stand out is its audio track, which perfectly complements the on-screen action. The Raid Redemption Indonesia Audio Track
This version is almost entirely instrumental, spanning over 50 minutes of original music. It also features guest vocalists for specific tracks, such as Chino Moreno (Deftones) on " Razors.Out " and the rap group Get Busy Committee on "Suicide Music". 3. Linguistic Tracks and Dubbing Beyond the music, the audio delivery varies by region: When he was twenty, Rizal got a job
The Indonesian score is often described as "organic," while the US score is "industrial." Punches were not just blows but layered textures:
: When Sony Pictures acquired the film, they commissioned Mike Shinoda (of Linkin Park) and Joseph Trapanese to create a new, more synth-heavy score for the US market.
Here is the deeper argument: The Raid is a story about being isolated in hostile territory. The cops are trapped in a building run by a crime lord. The audience, if they do not speak Indonesian, is meant to feel a slight disorientation. Reading subtitles forces you to watch the actors' faces, not just their fists. You watch their eyes flicker before a strike. You watch their mouths form the words.