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Similarly, Elippathayam (The Rat Trap, 1982) used the crumbling feudal manor to symbolize the paralysis of the Nair aristocratic class, unable to adapt to modern, post-land-reform Kerala. This was not escapism. It was anthropology.

Malayalam cinema has been blessed with visionary filmmakers like: Similarly, Elippathayam (The Rat Trap, 1982) used the

, who is widely recognized as the "father of Malayalam cinema" . The first Malayalam talkie, , followed in 1938. : Aranmula Ponnamma Elippathayam (The Rat Trap