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All these artists deserve royalties. Filmyzilla gives them nothing.

By accessing "Phas Gaye Re Obama Filmyzilla," the viewer isn't just "sticking it to the man"; they are contributing to the very economic squeeze that the film satirizes. The dacoits in the movie are sympathetic because their victims are wealthy bankers. But in the real world, the victims of Filmyzilla are mid-level actors, technicians, and writers who rely on residuals and streaming royalties to survive.

Upon its release on December 3, 2010, the film received widespread critical acclaim for its witty writing and stellar performances.