Kerala’s highly literate and politically conscious audience refuses to be patronised. A mainstream superstar like Mohanlal can star in a slapstick comedy ( Chotta Mumbai ) and a devastating tragedy ( Vanaprastham ) in the same year, and both will find their audience. Film societies have thrived here since the 1970s, and film criticism is a serious pursuit in Malayalam newspapers and online forums. This intellectual ecosystem forces the industry to constantly innovate.
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