Then, silence. The camera holds on the empty road. We see the olive trees swaying in the wind. For a full minute, nothing happens. We wonder if the projector has broken. And then, from the far distance, at the top of a hill, two tiny white specks appear. They are Hossein and Tahereh.
What did she say to him under the shade of those olive trees? The Director didn't record it. The audience couldn't hear it. Through the olive trees- Abbas Kiarostami
While Kiarostami himself often resisted the "trilogy" label, critics have long grouped Through the Olive Trees with Where Is the Friend's House? (1987) and And Life Goes On (1992). The films are linked by their setting in the rural village of in northern Iran, a region devastated by a 7.4 magnitude earthquake in 1990. Then, silence
On the final day of shooting, the production packed up. Tahereh began her long walk home, winding through the rolling green hills and the ancient, twisted olive groves of the valley. Hossein did not let her go. He followed her. The camera pulled back. Far, far back. 🍃 Scene 4: The Final Long Shot For a full minute, nothing happens
The cinematography in "Through the Olive Trees" is breathtaking, with Kiarostami and his cinematographer, Mahmoud Kalari, capturing the beauty of the Iranian landscape in a way that is both poetic and precise. The film's use of color is particularly striking, with the muted tones of the olive groves and the surrounding countryside providing a perfect backdrop for the characters' emotional journeys.
Then, silence. The camera holds on the empty road. We see the olive trees swaying in the wind. For a full minute, nothing happens. We wonder if the projector has broken. And then, from the far distance, at the top of a hill, two tiny white specks appear. They are Hossein and Tahereh.
What did she say to him under the shade of those olive trees? The Director didn't record it. The audience couldn't hear it.
While Kiarostami himself often resisted the "trilogy" label, critics have long grouped Through the Olive Trees with Where Is the Friend's House? (1987) and And Life Goes On (1992). The films are linked by their setting in the rural village of in northern Iran, a region devastated by a 7.4 magnitude earthquake in 1990.
On the final day of shooting, the production packed up. Tahereh began her long walk home, winding through the rolling green hills and the ancient, twisted olive groves of the valley. Hossein did not let her go. He followed her. The camera pulled back. Far, far back. 🍃 Scene 4: The Final Long Shot
The cinematography in "Through the Olive Trees" is breathtaking, with Kiarostami and his cinematographer, Mahmoud Kalari, capturing the beauty of the Iranian landscape in a way that is both poetic and precise. The film's use of color is particularly striking, with the muted tones of the olive groves and the surrounding countryside providing a perfect backdrop for the characters' emotional journeys.
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