Named for the tight, shallow snare used by Carlton Barrett, this is the heart of Bob Marley's "Exodus" era. optimized the hi-hat articulation. In reggae, the hi-hat plays a "swung 16th" pattern that feels lazy but precise. The update fixes a timing latency issue in the sample triggering, meaning that when you program a one drop (kick on beat 3, snare on beat 3), the ghost notes on the hi-hat now breathe correctly.
software, specifically designed to capture the authentic, warm rhythm sections of reggae and dub music. Recorded at Rub-a-Dub Studios
That changed with the release of . This update to the acclaimed Expansion Pack for EZDrummer 3 (and EZdrummer 2) isn't just a minor patch; it is a refinement of an entire sonic philosophy. Whether you are producing classic roots rocksteady, modern dub, or even reggae-infused pop, understanding this specific version is key.
Do not compress the drum room mics. Reggae drums need dynamic range. In the EZdrummer mixer, turn the "Room" fader up by +4dB and the "Overheads" down by -2dB. This gives you the authentic Tuff Gong "swimming" reverb.
Features a vintage 1970s Premier Club (the legendary "Rub-a-Dub" sound) and a customized Yamaha Stage Custom for a more modern, tonal alternative.
