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(Pierre Niney), a charming 20-year-old architecture student. Alice decides to maintain this fake "cougar" persona to impress her boss, but eventually, real feelings begin to develop. Critical Reception Performance:

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Much of the film’s humor and tension arises from Alice’s attempts to maintain her professional lie while managing a burgeoning real affection for Balthazar. The "fake dating" trope is used here to highlight the absurdity of modern branding. Alice must perform "youthfulness" for her coworkers, leading to moments of high-fashion slapstick that contrast sharply with the quiet, sincere moments she shares with Balthazar in private. This duality culminates in the inevitable realization that her professional success, built on a lie, is hollow compared to the messy, "unmarketable" reality of her feelings. Conclusion They are looking for a feeling—the feeling of

in English-speaking territories). The film follows Alice Lantins, a 38-year-old fashion editor, who starts a faux-romance with Balthazar, a 19-year-old student, to boost her career reputation.

The story follows , a 38-year-old ambitious fashion editor at Rebelle magazine. Despite her impeccable work ethic, her boss, Vincent Khan , believes she is too "uptight" and "safe" to be the next editor-in-chief.